Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Set against the backdrop of a major drug cartel bust, the series follows two low-level cops who have spent far too much time in a car together, two criminals who are largely kept in the dark, two dispatch workers who haven't really clicked and two Mexican tunnelers who are in way too small a space considering they've only just met.

Spino, a pathologist, receives an unidentified body which looks familiar to him... himself, 30 years younger.

A barber gives in to temptation and steals some money, leading to blackmail and murder.

Convention and sexuality are explored through slugs, rituals, and the eating of an orange.

Pedro Alonso travels across Mexico to discover the power of traditional medicine from masters of the culture's ancestral healing rituals.

It follows the story of middle-aged office workers struggling to survive in a turbulent workplace.

A 2000's Romeo and Juliet in small town Ontario, where love does not win, but surviving players grow up to accept themselves as members of the LGBTQ+ community.

A homage to a church carved into a rock in Finland. But also, a filmic essay, accompanied by various quotations, recited by a woman’s voice. Seamlessly connecting the images and texts: deep melancholy, the wounds of our time, and the longing to no longer be “all by myself.”